New Little Axe album due in May
"I see myself as a time traveller," Skip McDonald says. "I started out live and went into studio culture. I've gone all the way back and come full circle, though this time I've got the advantage of technology as well. Hey, I'm even doing covers of my own songs. It's all part of the same puzzle.
I understand the blues better now that I'm older," he continues. "But doing this albumÂ…" He flashes a grin. "This album has made me feel young again."
McDonald recorded the album live at Real World Studios. With of course the usual suspects Doug Wimbish, Keith LeBlanc, Bernard Fowler and Adrian Sherwood, but also with the help of Saranella Ball, Kevin Gibbs, Alan Glenn, The Crispy Horns, Ken Booth and Cyril Atef
Foxlight
For his third solo album - Foxlight - the acclaimed singer Iarla O Lionaird delivers an impassioned and sublime set of personal songs, combining the twin urges to write more new material and yet also work with an intriguing set of collaborators.
In Trance
If JuJu's chemistry was evident on their acclaimed 2007 debut Soul Science and its equally praised follow up Tell No Lies, it is almost palpable here. In Trance is precisely that: an album that sees Adams' Les Paul goldtop vying and blending with Camara's keening bittersweet vocals and fiery ritti playing, and embracing dub reggae and avant-garde jazz en route.
Addis Through The Looking Glass
"The aim", says Nick Page, the musician and producer best-known as Dubulah, also founding member of Transglobal Underground and Syriana, "is to constantly surprise." The new Dub Colossus album, Addis Through The Looking Glass, does just that. It's a new departure in the band's remarkable history. Dubulah first travelled to Ethiopia's capital Addis Ababa in 2006 to collaborate with musicians and explore traditional Azmari styles, 60s Ethiopian pop, Ethiojazz and 70s Jamaican Dub Reggae.
Laru Beya
Encouraged by a songwriter mother with a gorgeous voice and by his widely admired local troubadour father, the young Aurelio made his own guitars from cans and fishing line. Music and songs were the only entertainment in a place with no electricity and little contact with the outside world, and it is these songs that shaped him as an artist and inspired the pieces on Laru Beya.
Tande-La
The Creole Choir of Cuba are called 'Desandann' in their home country which means 'descendants' and with the songs on their forthcoming album 'Tande-La' (a title which translates as 'listen') they tell the stories of their Haitian ancestors who were brought to Cuba to work in near slave conditions on the sugar and coffee plantations.
The Road To Damascus
"The Cold War and its iconography had divided East and West," says Page. "We decided to create a project that would bridge them."
Capture
Afro Celt Sound System are back - right now - with Capture, a career-spanning double CD that cherry-picks from the collective's five acclaimed studio albums and divides the glittering proceeds into songs (Verse) and instrumentals (Chorus). Here, then, are the classics that forged the group's reputation
Bought For A Dollar, Sold For A Dime
The musical melting pot of 'Bought For A Dollar, Sold for a Dime' is large, and bubbling. Here are addictive rhythms. Soulful vocals. Pinches of dub and funk, reggae and gospel. Oh-so-subtle samples and innovative electronics. And underpinning it all, McDonald's shimmering blues guitar licks, conjuring a space where the dirt roads of the Deep South meet the shiny lanes of the Information Superhighway.
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